The killer inside me.

Finito di leggere "L'assassino che e' in me" di Jim Thompson; titolo originale "The killer inside me", 1952.

- Kubrik: "L’assassino che e' in me e' il piu' spaventoso e credibile racconto in prima persona su una mente criminale che abbia mai letto".

- Washington Post: "Se Raymond Chandler, Dashiell Hammett e Cornell Woolrich si fossero uniti in un amplesso sacrilego e avessero dato vita a una progenie letteraria, il risultato sarebbe Jim Thompson… La sua opera getta una luce abbagliante sulla condizione umana."

- Bandito: "Durante la lettura, ogni sera, quando torni ad aprire quelle pagine, vuoi deliberatamente affogare nel vortice della follia della mente umana."

- Library of America. Crime novels: American noir of the 1950s.
Robert Polito, editor: "Evolving out of the terse and violent style of the pulp magazines, noir fiction expanded over the decades into a varied, innovative and profoundly influential body of writing. The eleven novels in this adventurous two-volume collection tap deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.
Published as a paperback original in 1952, Jim Thompson's The Killer Inside Me, one of the most blistering and uncompromising crime novels ever written, begins the second volume, American Noir of the 1950s. Written from the point of view of an outwardly genial, privately murderous Texas sheriff, it explores the inner hell of a psychotic in daring and experimental style. Patricia Highsmith's The Talented Mr. Ripley (1955) likewise adopts a killer's perspective as she traces the European journey of an American con man with a taste for fine living and no conscience about how to attain it. Highsmith's gift for diabolical plotting is matched only by the cool irony of her characterizations. In his nihilistic early novel Pick-Up (1955), Charles Willeford follows the pilgrimage of two lost and self-destructive lovers through the depths of San Francisco, from cheap bars and rooming houses to psychiatric clinics and police stations. David Goodis' Down There (1956) is a moody, intensely lyrical novel of a musician fallen on hard times and caught up in his family's criminal activities; it was adapted by François Truffaut into the film Shoot the Piano Player. With its gritty realism, unrestrained violence and frequently outrageous humor,The Real Cool Killers (1959) is among the most powerful of Chester Himes' series of novels about the Harlem detectives Coffin Ed Johnson and Grave Digger Jones.
Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available."